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Orangeberry Spring Fling – Seven Point Eight: The First Chronicle by Marie Harbon

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The Kindle Book Review Semi-Finalist in Science Fiction/Fantasy 2012

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‘Out of Body, Out of Universe’

Seven Point Eight: The First Chronicle kick starts a five part series offering a twist of sci-fi intrigue, which poses some interesting questions. If you had special abilities to travel out of body, where would you go? What would secret organisations do with these abilities? And how far could you go?

A physicist begins a quest to measure the soul but soon finds himself drawn into the world of the enigmatic Max Richardson, where research is sold to the military at the highest bid. However, he soon discovers another purpose when an extremely talented young psychic enters his life. He devises a project and builds a team to stretch the frontiers of exploration, only to make a reality-shattering discovery…

Written in the style of a TV series, Seven Point Eight draws together quantum physics, psychic powers, alternate dimensions, time travel, past lives, ancient wisdom, drama, romance, and conspiracy in a soap opera for the soul.

Buy at Amazon

Genre - Science Fiction (PG13)

Connect with Marie Harbon on Facebook and Twitter

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Orangeberry Free Alert - What’s French for WTF? A Sitcom for Romantics: Paris Brats by Gwen Ellery

What’s French for WTF? A Sitcom for Romantics: Paris Brats - Gwen Ellery

Amazon Kindle US

Amazon Kindle UK

Genre - Chick Lit, Humor, Women’s Fiction

Rating - PG

4.8 (15 reviews)

Free until 18 April 2013

Check out the new cover and title! Same zany humor--with an edgy new look.
#1 Bestseller in Comic Fiction

--Amazon, November 2012
#2 Hot New Release

--Amazon, October 2012
What readers are saying about this wacky new sitcom for your e-reader
"Very funny ... zany, too, but in a likeable way."
"Wonderfully funny ... I'm happy to see this is a series and look forward to Fern's next adventure."
"I loved reading this story. It is funny and down to earth."
"Funny, entertaining, and fast-paced."
"Just the right length, this story left me eager for more in the future."
Love, hunger, and financial meltdown await Fern and her friends in the City of Light, where it's harder to raise cash than it is to raise heck. Will Fern's loyalty and romantic dreams survive the riot girls, a much-sought-after chamber pot, and the incident of the flying falsie?
Download book one now to find out...
Note: this is a novella, or short novel, and a complete story at 23,000 words. It's like a sitcom for your e-reader. During its first week on Amazon, it hit two bestseller lists in the Kindle Store and was picked as a Hot New Release.

AWARDS GWEN HAS WON

First Place, James D. Phelan Literary Award
First Place, Romancing the Novel Award
Presidential Scholar in the Arts
National Recognition and Talent Search Award
Apprenticeships in Fiction, sponsored by the Arts Council England

MORE PRAISE FOR GWEN ELLERY'S HUMOR WRITING

"My stomach still hurts because I was laughing so hard. I love reading goofy humor! . . . I can't wait to read more. I forced my husband to read it too, and he said he'd read a book by you and he's allergic to romance."--Kate R.
"I was laughing so much in the long drive-up at the credit union, people were looking at me strangely."--Lesli L.
"I was giggling so loudly, my cat came into the living room to see if I was all right."--Stephanie T.
"It's rare to find an author who is both outrageously funny and seriously stylish like you. Keep up the great work!"--Marius J.
What's French for WTF? is rated PG due to references to off-stage sex. In essence, however, the story is good clean fun.
NEW RELEASES
If you enjoyed this novella, consider signing up for Gwen's new releases email list! Just visit gwenellery.com.

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Orangeberry Spring Fling – Earth-Sim by Jade Kerrion

Was the super-continent of Pangaea split because of a management dispute? Is the biblical flood the earliest evidence of why “technology and water don’t mix”? If you always suspected that mass extinctions, such as the Black Death, had an otherworldly reason, you just might be right. Is there a real message hidden in the mysterious manuscripts that human sages and savants have created through the generations? Is there life out there, beyond our planet, and why has none of it shown up on Earth yet?

Earth-Sim is a unique spin on the history of Earth and the history of mankind. What if Earth and the entire universe were actually part of a simulation program? What if the most iconic and memorable events in Earth’s history were decisions (or more frequently accidents) triggered by two college students, Jem Moran and Kir Davos, who are still sorting out the finer points of working together and more importantly, still arguing over the finer points of planetary management?

Bring your sense of humor. Earth-Sim is frequently whimsical and often irreverent. Either way, you finally have someone to blame for the state the world is in.

Buy at Amazon / Amazon UK / Barnes & Noble / Kobo / Smashwords

Genre - Young Adult, Science Fiction (G)

Connect with Jade Kerrion on Facebook and Twitter

Website http://www.jadekerrion.com/

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Orangeberry Book Of The Day - Forged in Grace by Jordan Rosenfeld (Excerpt)

Prologue

I feel swimmy, high, adrenaline on full tilt, though I haven’t consumed a drop of alcohol. “We need to subdue him first,” I hear myself say. “Can’t just slap a hand on his face and hope it knocks him out.”

Marly nods, though she is too encumbered to move quickly, and me—there’s no guarantee of what I can do.

“I have pepper spray,” she fidgets with her purse as though she’s about to withdraw it. “And it’s not like we have to break in, Grace. He’ll let us in, when he sees it’s me. Think I’m coming to talk.”

“Okay, then,” I say, before I lose my nerve. And we get in her car and drive.

We park and walk four residential blocks. The streets are lit by yellow halogen lamps, but there’s also a nearly-full moon. Its bold light makes me feel bolstered, sanctioned. Marly points to his condo, one square box among many in a beige world of homogenous residences.

“This could have been my life,” Marly whispers, her face a portrait of disgust. “I should be in that kitchen right now making dinner, then go spread my legs for him. I can’t believe he thought he could get away with what he did to me.”

The guilt surges through me again. If only I hadn’t healed away the evidence. But we didn’t know. Nobody could have known.

“Let’s do it soon, before I chicken out.” My palms have begun to ache with heat.

“Damn straight,” she agrees, and the toss of her hair is so familiar it’s like we’re fifteen again.

Simultaneously, we take a deep breath.

Marly repeats her lines, “I’ll say we’re here to talk—that I brought you as my friend and witness. That will put him on his best behavior. And you?”

I choke a little on my own saliva, cough, and answer, “I’ll ask for a glass of water, say I got too much sun today. He’ll take one look at me and have a hard time refusing, right?”

Marly pats her purse. “Let’s go.” She’s always one step ahead of me.

Chapter One

Drake’s Bay

This morning my hands are so hot, sweat slides my mug out of my grasp and coffee spills down my right leg, like liquid fire. On the way to the bus in the pre-sunrise dark, a voice from the past drifts to me, as though I am a radio tower. “Grace, you’re mistress of your destiny.” Marly’s voice. “Come on! Tell the flame.” Whether the memory has been summoned by the pain or something else, I go to work cavalier as always, as though my heightened senses are not a portent, as if everything is not about to change.

***

At the office, Dr. Lieb—Adam to me—is hunched over the fax machine, jiggling it, the paper jammed. The thrum of its electricity beats inside me, like blood in my veins. If he tugs too hard, the fax—thin as laboratory-grown skin—will rip, and he’ll say “shit” and then look around as though he’s killed someone’s pet kitten. I marvel at how capable he is with patients, such steady hands, and how inept he is with the simplest of office equipment (and women).

He hasn’t caught sight of me yet. I’m about to impose myself between him and the machine, to keep him from breaking it, when Helen, party pooper on any moment that resembles intimacy, hurries into the office and flicks on the fluorescents. I cringe against their light.

“Oh, good lord, you two scared me,” she says, but scowls at me, as though her fright is my fault. She steps up so close to Adam that if he were to turn too quickly they might kiss. He frowns and almost hops backwards, which pleases me. When Helen has something to deliver to my desk, she drops it in a hurry, as though I am leprous. You can’t catch this, I want to tell her. But sometimes, I wish I could disfigure people with the slightest look.

“I’m glad you’re here early, Dr. Lieb, I need to consult with you,” she says, and touches a hand coyly to her businesslike bun. Behind her is a poster of the human musculature system, the body looking like a victim of torture, flayed down to tender bits.

He scowls at the fax and looks quickly at me with a plea in his eyes.

“I’ve got it,” I say, a knowing smile twisted on my lips. “Go ahead.”

I expect him to attend to Helen’s insistence—but to my surprise he pushes his dark brown bangs, always an inch too long, out of his eyes and sighs. “Helen, if it can wait? I need to talk to Grace.”

The princess snubbed for the toad. I try not to do a victory dance. Helen buttons it up and strides into the front office like a third place runner-up in a beauty contest.

I put my hands on the fax machine as a cue that I’m going to take over, and he slides his own away, before we can chance a touch. And oh, the kinds of touches we actually make are nothing like what passes through my mind: his callused fingers on the few smooth places left on my body: between my thighs, at the back of my neck as it curves into my spine.

“You’re here early,” he says, jarring me out of my fantasy. This is one of those moments when I’m glad it’s hard to read the expressions on my face. His smile etches a groove into his forehead, fanning out crow’s feet deeper than a thirty-nine-year-old man should have.

“I wanted to say goodbye to Hera before I got here,” I say, thinking of her keen eyes, the way she gazed calmly at me as though we were more alike than not.

He shakes his head in sympathy. Sometimes, a bird, even one as wild as the bald eagle, refuses to go from the Drake’s Bay Wildlife center, and I’m secretly glad even though I know that a life locked in a mesh-covered cage is no life for a wild animal. I see enough of their bloodied carcasses during my weekly volunteer visits. Surrounded as we are by reckless bird and rodent life in our little town, I’m glad I don’t drive.

“I’ll watch out for her,” he says. This makes me nervous; he’s already a distracted driver, the kind prone to missing his exit and running over curbs (though no people, yet) because he’s focused on thoughts of his work.

Before he has to ask, I pop the button, releasing the jammed paper, and his face softens with gratitude, as though I’ve laid a cure for cancer in his lap.

“What did you need to talk to me about?” I ask then, recalling his dismissal of Helen.

He dims whatever he’s viewing on his inner scope and turns his focus on me. “I said yes to a low-cost vaccination clinic next weekend. I was hoping you’d come keep me company, though I know you prefer the beasts to the people,” he says with the hint of a grin.

“You’re lucky you need me.” I shake a fist in mock-anger.

He does too much. It’s why his dark hair is tufted with early gray. My hands itch to smooth the wrinkles gathered at his shoulders, but I don’t dare for many reasons, psychosomatic pain and visions notwithstanding; sometimes I’m afraid of my own impulse control, that it will start as a dusting of lint and the next thing he knows I’ve got his torn open shirt in my hands.

“Oh come on,” I say, “It’s not that you want me there so much as you don’t want to sic Helen’s Imperial Attitude on the undeserving public.”

His smirk is a smile fighting itself, then quickly becomes a chuckle. “I’m awful to laugh,” he says.

What am I, then?

“Well, your taste in employees is a little questionable, I mean look at me.” I wish I could nudge him in the shoulder as casually as any other co-worker.

“Come on now,” he says. “You keep us all in line.”

Is that all? What do I expect him to say: “I can’t live without you”?

“Actually, there’s something else,” he says, and an old man’s worries shine through his young face—like his father handed down decades of anxiety along with his practice. “Do you know Jana Horowitz? She used to run that little consignment store downtown?”

I do know her—she has wild fly-away hair and lipstick that is never confined by her lips, always handing out home remedies and folk cures along with cheap clothing. I nod.

“She’s technically a patient here,” he says.

“What do you mean ‘technically’?”

“Well, she never comes in. But when pain in her abdomen got to be too much, her daughter goaded her into a blood panel and a CT Scan. Turns out she’s got cancer. Bad cancer.”

“As opposed to the kind and gentle version, you mean?”

“Haha.” He sticks his tongue out. “The problem is, she intends to treat it with vinegar and trips to her energy healer.” If Nurse Helen could see him like this, maybe her love of order would protest; maybe she’d stop standing so close to him.

“Oh yeah, those terrible energy healers with their mighty crystals and all-powerful chakra clearing kits,” I say. Yet I suddenly picture hearty Jana Horowitz whittling down like the flayed-open muscle man in the poster, a skeleton with a tumbleweed of hair.

Adam is used to my irreverence and knows when to press on to finish his point. “Her daughter wants me to talk her into treatment. I just… Grace, I’ll never get used to this Northern California attitude, where people think of medicine as a last resort. And I’m not saying it’s all crap, but this is cancer. She needs chemotherapy.”

“So what can I do to help?” I ask.

He smiles. “Talk to her.”

“Me? I’m not even a nurse.”

“But you could do your thing where you crack a little joke, break the ice, and then lay the seriousness on her. Let her know that all the folk remedies in the world won’t cure cancer, and what the consequences look like.”

It’s a painful death. I know this much from patients who pass through our doors, happy to have appointments for things that don’t involve radiation or poisons pumped through their veins. But I’m stunned he’s asking this of me. After the fire, I read all the stories I could find of spontaneous healings among monks and yogis and even civilians in near-death accidents. There were nights when I tried to conjure that same energy, holding my mother’s cats down, determined to heal their fight-born wounds, half serious about trying it on myself next.

The office phone rings then—a horrible seventies jangling sound, because Adam-the-Frugal still refuses to upgrade the phone system his father put into place.

“Don’t answer it yet,” he says, his hand reaching out as though to stop me but then he reels it in, remembering, and I swear I can feel the heat of his hand where it nearly caressed me. “We’re not open for another half hour.”

I nod, liking the way we feel in cahoots.

There’s a mechanical click as the old-fashioned answering machine begins, and we look at each other gleefully, as though we are hiding from someone, like Marly and I used to do after antagonizing a local boy.

“I’m calling to inform your office that my grandmother…” The woman’s voice splinters, and in its husky timber I swear I know her. The air in the office suddenly feels heavy. I remember the way my hands were hot this morning, and now all the patchwork parts of me light up with similar heat.

The woman clears her throat. “I’m sorry. My grandmother, Oona Donovan, has passed away.” Her voice is husky with grief. “Obviously, she won’t be able to make her appointment today. And you can cancel any others. Also, um, if anyone from your office wants to uh, pay regards, the funeral is tomorrow. Anthem Church. 5:00 p.m.”

Oona Donovan. That name, or more specifically the voice speaking it, burrows straight through me, unearthing Marly Kennet, and my last glimpse of her thirteen years ago through a veil of flames.

I am surprised to feel tears at the backs of my eyes, as I lean into the counter for support. For the eight years I’ve worked for Adam, Oona Donovan has come in for run-of-the-mill medications to battle the ailments of aging; sat, fidgeting in the waiting room, casting glances my direction but saying nothing, her face full of unasked questions. On a couple of occasions I came close to asking her if we could have tea, so I could put my hands on hers and see if the truth of where Marly went and why she never contacted me would come rushing through her skin.

“Grace? Did I upset you by asking you to talk to Jana?” Adam inches his hand toward me as though to stroke mine, but of course he can’t offer the kind of comfort I need. No powerful hug, no tender placing of his palm on my shoulder. The doctors say the pain I feel upon contact, and worse, the visions, are all just psychosomatic, PTSD gone unchecked, but it feels damn real to me.

“No, it’s just, I knew that woman,” I say. “The one who left a message about her grandmother. Marly Kennet.”

My former best friend. She’s in town. She must know I work for Adam; her grandmother would have told her. That phone call was meant for me: a coward’s invitation. This knowledge of her presence is an almost chemical feeling—like we are magnetic particles destined to scuttle together. What is it about that girl that she says “leap” and you’re already in the air? Ma’s voice from years ago.

I walk away from Adam and drop into my chair, dragged far away from this moment. I’m no longer twenty-eight but fifteen. Marly, staring down an oncoming car, wild blonde hair in stark silhouette. Me, tugging on her arm, pleading for her to move. In recalling her, I can remember what it felt like when my skin flexed with ease, when the pores on the top half of my body could sweat. When I had hair and both eyebrows.

“Marly. Why does that name sound familiar?” Adam says.

I’ve never spoken to him about her, not even to the people in my burn group.  I used to say her name to myself, the ‘M’ a smooth ride, tasting the ‘R’ on my tongue, her name a wave rolling over me just like she did, knocking me down, then righting me again.

“She was the one,” I say to Adam. “With me, the night of the fire.”

The only one who really knows what happened to me.

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Buy Now @ Amazon

Genre – Psychological Suspense

Rating – R

More details about the book

Connect with Jordan Rosenfeld on Facebook & Twitter

Website http://indie-visible.com/

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Lindsey Pogue & Lindsey Fairleigh – Inside the Mind of the Author

Inside the Mind of the Author

by Lindsey Pogue & Lindsey Fairleigh

I’ve always had a passion for storytelling and delving into a world that’s so completely different from my own. Like most kids, I created books and wrote fantastical stories in my youth. I continued researching and writing about past cultures in my academia, along with developing new worlds in which made-up characters live and breathe into my adulthood. Despite my passion for writing, I’ve allowed myself to be detoured in the past, both by my unrealistic expectations and by unreachable standards that I’ve set for myself. It’s only now, after working on this project with Lindsey Fairleigh (LF), that I understand myself better as a writer and as an author. I’ve learned what works for me and what doesn’t, and I can go into book two of The Ending Series, Into The Fire, with more ease.

Co-authoring After The Ending has taught me how important it is to really identify how I work best as a writer so I can continue to be productive and creative to the best of my ability…and so I can keep what remaining sanity I have intact. My brain works very differently than LF’s, and because we work so closely together, it’s imperative that we appreciate how different our writing processes are, both for our separate story lines and POV’s and also when we’re working on combined chapters. That being said, looking back at book one, I notice two very important characteristics about myself and my writing style that I’m so grateful to finally understand.

First, I have come to terms with the fact that I’m not omniscient. I never have been, nor will I ever be. Obvious? Sure, but it’s also hard to remember when you’re the creator of something. By consciously acknowledging my lack of omniscience, I am giving myself permission to loosen the reins and let the characters write for themselves. While I am a planner in life, that is not the case in writing. No matter how many details and story arcs I devise in my head and outline on paper, things always change–characters have a way of commandeering the story, no matter what my intentions might be. That being said, if I don’t have my characters completely solidified in my mind before I start writing, that’s okay. I know some authors see the entire story in their mind, but I see bits and pieces, or what I call the “good stuff”. I’m learning how to accept the fact that I can get the “good stuff” down and fill in the holes as I go…especially since the story inevitably writes itself and generally unfolds into something more amazing than what I had planned in the first place.

Second, I’ve learned which type of writer I am–a “revisionist” so to speak. I have to remind myself there is no rule that says you can only revise four times, and if there is, I’m pretending it doesn’t exist. I need to revise A LOT. My inspiration to write comes in spurts. So, instead of getting frustrated with my brain for vomiting ideas incoherently and out of order, I’m learning to embrace the spewage—to get the ideas down to flesh out later. Nothing will ever be or even has to be perfect the first time around.  I learn about and discover my characters as I go, and I don’t have a plethora of interconnected details and ideas that just flow out of my mind and onto the page, resulting in an almost complete manuscript that just needs some tweaking. Instead, I write down the “good stuff” and build around it. I write a chapter, then walk away…come back to it…read and revise…walk away…and read and revise another five times before I even feel comfortable passing it on to LF. I think this is where she and I differ in our writing processes. She tends to have very fluid thoughts and ideas and gets them down eloquently, whereas my ideas are always jumbled in my head.

Going into this project, I pressured myself to have my characters ironed out in my mind—the details, the obstacles they’d face, the love triangles they’d get mixed up in—but this is one instance in my life where planning isn’t so helpful. In fact, it’s more of a hinderance to my creativity, and it’s a relief to know I’ve discovered how my mind works so, as we work on book two, I can allow myself the space to be inspired and creative with no restraint. When inspiration flows, when my thoughts and ideas meld together and the characters come to life, that’s when the best ideas make it onto the page. I love “the zone”.

So, now that we are finished with AE, I’m able to take a step back and appreciate what we’ve accomplished, but I’m also able to reflect on how we’ve gotten to where we are and how to have fun and grow as a writer. I’ve been able to recognize what the writing process looks like for me, allowing me to set realistic standards for myself and to be more productive, lose some of the added stress, and have some fun.

Buy Now @ Amazon

Genre – Science Fiction

Rating – R

More details about the author & the book

Connect with Lindsey Pogue on Facebook & Twitter

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Orangeberry Book Tours – After the Ending by Lindsey Pogue

The Virus spread. Billions died. The Ending began. We may have survived the apocalypse, but the Virus changed us.

When people started getting sick, “they” thought it was just the flu. My roommate, my boyfriend, my family…they’re all gone now. I got sick too. I should have died with them—with the rest of the world—but I didn’t. I thought witnessing the human population almost disappear off the face of the earth was the craziest thing I’d ever experience. I was so wrong. My name is Dani O’Connor, I’m twenty-six-years-old, and I survived The Ending.

The Virus changed everything. The world I knew is gone, and life is backwards. We’ve all had to start over. I’ve been stripped of my home, my dreams…all that is me. I’m someone else now—broken and changed. Other survivors’ memories and emotions haunt me. They invade my mind until I can no longer separate them from my own. I won’t let them consume me. I can’t. My name is Zoe Cartwright, I’m twenty-six-years-old, and I survived The Ending.

We’ve been inseparable for most of our lives, and now our friendship is all we have left. The aftermath of the Virus has stranded us on opposite sides of the United States. Trusting strangers, making sacrifices, killing—we’ll do anything to reach one another. Fear and pain may be unavoidable, but we’re strong…we’re survivors. But to continue surviving in this unfamiliar world plagued by Crazies and strange new abilities, we have to adapt. We have to evolve.

And more than anything, we have to find each other.

Buy Now @ Amazon

Genre – Science Fiction

Rating – R

More details about the author

Connect with Lindsey Pogue on Facebook & Twitter

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Orangeberry Book Tours – Viral Nation by Shaunta Grimes

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After a virus claimed nearly the entire global population, the world changed. The United States splintered into fifty walled cities where the surviving citizens clustered to start over. The Company, which ended the plague by bringing a life-saving vaccine back from the future, controls everything. They ration the scant food and supplies through a lottery system, mandate daily doses of virus suppressant, and even monitor future timelines to stop crimes before they can be committed.

Brilliant but autistic, sixteen-year-old Clover Donovan has always dreamed of studying at the Waverly-Stead Academy. Her brother and caretaker, West, has done everything in his power to make her dream a reality. But Clover’s refusal to part with her beloved service dog denies her entry into the school. Instead, she is drafted into the Time Mariners, a team of Company operatives who travel through time to gather news about the future.

When one of Clover’s missions reveals that West’s life is in danger, the Donovans are shattered. To change West’s fate, they’ll have to take on the mysterious Company. But as its secrets are revealed, they realize that the Company’s rule may not be as benevolent as it seems. In saving her brother, Clover will face a more powerful force than she ever imagined… and will team up with a band of fellow misfits and outsiders to incite a revolution that will change their destinies forever.

Buy Now @ Amazon

Read a two chapter excerpt of Viral Nation, now available on GoodReads

Genre – YA Science Fiction

(Dystopia, Post-Apocalyptic)

Rating – PG13

More details about the author

Connect with Shaunta Grimes on Facebook & Twitter

a Rafflecopter giveaway

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